Focault and the Confessional Self

The ideas of confession that Michel Foucault states in The Hi yarn of Sexuality can be used as a lens in straddle to analyze confessional fiction. The ideas of a power relationship amongst the attender and the speaker, the futility of truth, and the glorification of the knowledgeable self are defined traits of the Foucaultian confession. These, by implementing the theory of confessional fiction that Brooks implements and by employing these ideas can be used to analyze a definite relationship between the confessant and his confession. However, the idea of the confesant expounding upon truth is a futile unrivaled and leads into an infinite regression of truth and lies, as is in a similiar case when one tries to identify truth with the unreliable fabricator of confessional fiction. Instead of searching for an final truth within the fable, the dilettante must look for how the self emerges as a teller and entity in the story. The critic must first demystifiy all notions concerning the credibleness of the unreliable fibber. The truth as sh witness by the unreliable vote counter is merely a mask that the narrator wears. The unreliable narrator and confessor merely gains power by telling and thus creating his own spoken story. Indeed, the confessor or unreliable narrators self has a definite relationship to the story and its creation.



The narrator is in fact the ultimate propignator of the story in question. In the story itself, therefore, metaphors in the story must be garnered in order to come to the expiration of a slowly uphill self as the story progresses. In creating the story, the narrator slowly identifies with the reader as an emerging creator. Therefore, the truth of the self becomes the only reality of the confessional story. In such stories where the main created character becomes the narrator, he...

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