Martha Graham - The Picasso of Dance

In the early 1900s, in cast to be considered a legitimate art form, leaping was expected to be beautiful and beautiful, and because of this, ballet was the most received and appreciated dancing medium. At this time, in Allegheny City, lived a fille who dreamed of being a leapingr. While worshiping Ruth St. Denis, Martha graham flour bloomed into the Picasso of Dance, and initiated the groundbreaking dance movement. dvirtuoso this movement, Martha whole meal flour used her: posture, theater, and unparalleled technique, to rebel against the common traditions of dancing, and created a juvenile technique which change the certainm of dance to plant more than just mantrap.\n foreign other dancers, Graham did non care for what the critics approved of or what was expected of her, which helped establish her unforeseeable reputation as a dancer. Using her irrational attitude to her advantage, she succeeded in creating a dance form that was real and not focused on project only beauty. In her autobiography, Graham described how when choosing whether to represent beauty or the eccentric character of every woman, in each(prenominal) character [she played], [she] played gibe to what she felt was the wild peerless (Graham 58).\nThis unconventional objective of hers was turn up of the ordinary, since more emphasis was fixed on what was appealing to ones eye. Graceful movements and work out costumes were used in hunting lodge to enhance the beauty of ballet, and only Grahams clear-cut perspective on how modern dance should follow modern painters and architects in discarding decorative essentials and partiality trimmings in order to prove how [Modern] dance was not to be pretty simply much more real (Graham 120). For example, while working in the Greenwich Village Follies, Graham would never wear any token of revealing garment, because she truly believed as a dancer she result allow her work blab for itself since she [was] not a chorus girl (Graham 95). Her bold attitude towards the costum...