theatre of the Absurd
The Theatre of the Absurd was created in the 20th century, as the worlds well-nigh popular, though only metaphorically realistic, clowning style. The style that irrational comedy takes is usually based on an existentialist collect of the world, and in the very early days of absurd comedy many existentialist philosophers, such as Svren Kierkegaard, utilised its suppuration popularity to get their ( a great deal anti-religion and considerably highly offensive) messages out to the world. For this reason, along with the detail that most absurdist pieces contain material which about would consider offensive, Theatre of the Absurd was never really allowed to reach its full authorization until much more recently. However, the ideas which Kierkegaard created were carried on by numerous playwrights and peculiarly by absurdist critic, Martin Esslin, mainly during the 1950s and 60s.
The actual term absurd, or absurdist utilize in the theatrical sense spurns from French philosophical novelist Albert Camus, who in the 1940s described most human life and activity as being meaningless and absurd. Most absurd comedy continues this idea, that earth is pointless, hence absurd comedy doesnt batter an eyelid at the concept of a main character dying, or some other method of non-standard utilisation of death, often taken entirely light-heartedly, or sarcastically, or in some sort of ill-timed context.![]()
Of course, it doesnt eternally go as far as death, often the mere truth and decency that one expects to be followed though in a dramatic comedy is totally destroyed, often accidentally, and always in a bizarre manner. This happens because languages are played with, conversations rifle puns, and the truth becomes confused, and all the while action is being overplayed, underplayed, issue backwards, forwards, too fast or too slow; the respectable guy and the bad guy switch or individual with a trombone appears...
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